High Five Photo Tips for July-August

High Five Photo Tips for July-August:

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Summer Photography 

1. Photograph the Weather! Often best right before or just after the storm.

   Nor'easter Storm

2. Keep it simple but not too simple.  You do need a point of interest. Slow down, look and think. A tripod often helps - more then just providing a stable platform.   
3. Be creative with Pet photography.  It is always raining cats and dogs, so take advantage. Get Down to their eye level. Create action shots by hold treats such as peanut butter or store bought treats. Horses will perk up there ears if you crinkle paper. Experiment! 
4. Think! Plan and Create.  Forget drive by shooting.  

   Beacon Marine Gold

5. Explore the water and night sky. Summer is the perfect time to get out and expand your horizons. Get out of the box. Think and Dream. Thus, create. 

High Five Photo Tips for June

High Five Photo Tips for June 2012:

Wildlife Photography Use a long lens (telephoto) to fill the frame and use a wide aperture to blur the background. Seal lion Know your subject and their habits to be prepared. Anticipate their movements. Plan for optimum time and season to observe. Capture action for more interest. Patience is needed of course. Baby Zebra at Watering Hole Get Close. Let sleeping Sea Lions rest Look for interesting pose or movement; experiment with angles and focus Allow space for Text More Wildlife Photography at: www.judithmphotography.com/animalia

High Five Photo Tips for March-April 2012

1.Small pupils can create fascinating portraits. To create this effect, move your subject from a very bright area to a dimmer one immediately before making a photo     2. Most of the time we only think of portraits as being of the face, but other parts of the body, especially the hands, can tell more of a story. Experiment with just shooting a part of a person to tell the whole story, such as part of a wranglers outfit: just chaps or the boots with spurs. Western Boots with Spurs   Western Chaps

3. Keep your subject busy while you are composing and shooting, by giving them something to do like using props, which can include another person, such as a child, or you could have them work on a hobby project, such as their garden. These types of props can also offer other things you will need to make a good shot, like a good background, and plenty of room to work in.     4. During the golden hours, the sun is at an angle where it will illuminate mist, fog or dust, giving you a great golden glow when the weather conditions permit it. Morning Stampede 5. In travel photography, try to capture or slow down action to make your images less static. With dances, shoot at a slower shutter speed to blur the movement. At night, with your camera on a tripod, these slow shutter speeds will allow car headlights and taillights to blur, creating wonderful compositions. Pow wow Indian Dancers

High Five Photo Tips for Jan-Feb 2012

High Five Photo Tips for JANUARY - FEBRUARY:

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1. Light Painting is done in the dark with the camera on a tripod set with manual focus - preset using a flashlight to aide focus) and shutter speeds in the seconds up to minutes. Use a continuous light source such as flashlight, light pen or instantaneous flash with or without gels. Dress in black, move quickly through a scene and even cover flashlight grip, etc. with black.      2.  Get inspiration for your still life and food photography from your local museum. Look at classical paintings from the old masters. Carefully observe the use of color, contrast and composition. Simple lighting with the use of a single light source will create lovely shapes due to cast shadows.  Dark shadows will produce the illusion of depth. Prime lens with a 50 mm equivalent crop factor will mimic the physical limitations of paintings. Experiment and create harmony with complementary colors such as orange with blue. Don't wait for the perfect object, the perfect lighting or the perfect equipment. Blue Plate with Onions

Pepper Duo 3. Create a mood or inspire an emotion with your photography.   Heading Home, Gloucester Harbor    4. Choose your subject and find the simplest elements. Then compose and shoot with your concept in mind. Think and compose. Remember these key elements to create not take an image. Peony Sunrise 5. More on Patterns. Explore B&W and Color. Look for duplicity of patterns and how the light enhances the effect. Side lighting will bring out the texture. Sand Patterns Square Sand Patterns

All prior photo tips archived in the JMP Blog.

High Five Photo Tips for December

1. When shooting Portraits, alter you viewpoint and either get up higher and shoot down or lower and shoot up. Try direct eye contact and then have the subject look outside the field of the camera or inside the camera field. Try props or candid poses often during action such as with jumping or in an activity. Add light Painting.



2. Lighting is the key to compositing. This will make the selections easier and the composite look real. The lighting on the subject and on the composite needs to match. Another trick - don't include the feet if possible. Plan ahead.

3. Simple compositions are often best. Clean and pure. Follows my photo motto: Simplify. Fish 4. Foreground elements help to balance a composition. Choose them wisely. Use leading lines to draw the eye into the photo. Or just look for patterns and colors. Times Square 5. Location, location, location. True in photography as it is in real estate. Choose a great location and a landmark of that location to be the key focus. This is an infra red pannoramic shot vertically at Pepsico in New York. Infra Red Panno

Accent Line Block Closing Block

High Five Photo Tips for November

Plan a photo safari to Africa!
1. Do your own trip investigation and analysis: a safari requires extensive planning as much as twelve months ahead for bookings. Do not trust a travel agent who may be, in fact, booking his first African trip. Read about the different countries and decide what might appeal to you. For instance, trips to Namibia and Kenya required long car journeys over poor roads, not an adventure for everyone. Our destinations, however, were well worth the drive.

Elephants in Mist, South Africa

2. The countries of Africa are very different in geography, abundance and variety of animals, and rules for engaging them. For instance, some only allow game viewing from park roads, which is understandable from a conservation viewpoint. The alternative offered by private lodges such as those next to Kruger National Park in South Africa, is off road viewing. The difference is profound. In the former, the action might only be viewed from a great distance with a long telephoto lens, unless you are lucky. The latter, far preferable, gives the true feeling of Africa. The driver and tracker not only take you to the animals, but it is possible to follow them. Since they have never been hunted, they have no fear of the vehicle and its occupants. Amazingly, the animals often proceed with their eating, hunting, or other activities as if unobserved. Following a pride of lions on a hunt and kill is an unforgettable experience.

Lion Cubs, Kenya

Namibian Dunes from the Air

3. Investigate the airline services: an older person with orthopedic problems cannot fly coach class for sixteen hours plus with ease. Explore upgrades with miles or stagger the trip by flying coach to Europe (6 hours), enjoying several days in Amsterdam or another major European city, and then continuing on.




4. Look at the type of tour. For the serious photographer, a tour led by a professional photographer who has done it before is a safe bet for success. Riding in an open vehicle packed like sardines with eight other tourists does not lead to good work. Ideally, three shooters per vehicle is perfect allowing one row per photographer.

Off Road

5. Know your equipment and make sure you have what is needed for this once in a lifetime trip.

I gave a talk on this subject Saturday, November 5, 9:15 to 11 am at HUNTS Photo and Video in Melrose, MA .  781 662-8822   Will be also doing at talk at the Newburyport Art Association at 7:30 pm on Monday, November 14th.  Hope to see you there.

High Five Photo Tips for September

High Five Photo Tips for September: 1.Depth of Field is a great creative tool.  Remember,     The most important item to control is the aperture setting. The larger the aperture used, the smaller the depth of field range. A good review at: How to use Depth of Field  Tony at F 2.8 with 70-200 zoom racked out to 200 for bokeh

Tony at 70 mm_same settings Even though set at same wide aperture of f/2.8, better Bokeh racked out ( ie the outer limits of the Zoom; so 200 mm on a 70-200mm zoom lens). Try it out.     2. Remember to MOVE:  Every time you you go out shooting, try different camera setting on the same subject. Move around!  Low high, close up to zoomed out.Change lenses and perspective. Try a tilt.  Or think of the horizon line.  Centered or at 1/3rd. Vary it and see what works.  Be Creative!! Coneflowers from a low perspective

3. Use your Tripod.  It will help you take clear photos all the time whether it is action or close-ups.   A great advantage of having a tripod is you can shoot images hands free. The reason is that you can use a remote release to start the shutter.  People often using telephoto lenses will also find the tripod useful. As having longer lenses normally create more weight to your digital camera, a tripod will keep your device steady. A tripod also slows you down and helps you think and create better images. 4. Black is needed to make an attractive B&W photograph, it says it right in the name, black and white.  If you've grown into the habit of using the histogram in Photoshop or Lightroom to show you the black and white highlighted areas don't adjust the exposure or increase the fill light to the eliminate all the flashing area.  Solid black in some portion of the image is not only acceptable, it's needed.     Searching, Nude Matured Project 5.  A good landscape usually includes an interesting foreground as the focal point that leads you into the rest of the picture.    Pigeon Cove

High Five Photo Tips for AUGUST:

1. Photograph the small things. Instead of trying to fit in as much as possible in one shot, try breaking it up into 2 or 3 closer ones. Small details can often tell a story about the region your visiting. For example, the texture in a building or the details in a shop can often be lost if the photograph is taken from a distance too far away. Wooden Shoes, the Netherlands 2. Vary your Depth of Field to add Bokeh - blur to the background.  Try shooting with a wide open aperture, such as f/2.8.  If using a long telephoto lens, keep it long but get close to achieve this effect.   Bearded Iris, Giverny, France 3. In the  middle of the day with lots of contrast, keep shooting and then convert to Black & White.  Look for patterns, textures, simple compositions. Some say, the most pure form of the art of photography. Marine Railways, Rocky Neck, MA  4. Don't put your camera away at Dusk or at Night.  Use a tripod and play with slower shutter speeds.  Or if you can't use a tripod, raise your ISO with a wide open f stop, such as f/2/8 to 5.6 to obtain a sufficient shutter speed to hand hold your camera.  At least the reciprocal of the lens length, such as need 1/200 sec or faster to hand hold a 70 to 200 racked out to 200 mm.  Turning on Vibration Reduction will also help.   Following Mom, Elephants, South Africa 5. Consider using Fill Flash! Off camera or with the pop up flash using the Gary Fong Puffer to diffuse the light.  Can work pretty well with the camera on Program Mode and the Flash to TTL. For total control, however, meter in aperture priority with the f stop you want and then use those settings (or slower shutter speeds to drag the shutter) with your Camera in Manual mode.  Flash in TTL with flash exposure compensation down to minus 1 1/3 to - 2. Adjust as needed to get the fill you want.    Alum floret with fill flash

High Five Photo Tips for JULY:

1. Fireworks Season is approaching and there are many techniques you can try!  One is using the double exposure setting available in Nikon cameras - set for 3 to 5 exposures, ISO 200, auto gain on and single exposure mode.  Shoot when bursts are at their peak. This is an alternate to the old bulb technique with the black card over the lens between bursts.

2. Another is Shooting Separate Fireworks Bursts then blending in Photoshop - Use a tripod, a cable release, zoom tele lens, camera on manual with shutter speed around 4 sec, aperture at F11.  Manual focus to infinity.  ISO 200. Do a test shot and evaluate it and adjust as needed.  Take a background image first before the show at a wide angle to use as your background image. Then lasso the individual bursts in Photoshop onto a new layer above your background and blend with lighten.  Move individual bursts as needed to line up as you like.    Fireworks over the Boulevard in Gloucester

3. Use Black & White to add Drama - especially for dull scenes. Then adjust the shutter speed to slow the movement of water in seascapes to really add drama.  4. Try Intimate Compositions for Seascapes -     The vastness of the ocean invites the photographer to shoot the grand seascape using a wide or ultra-wide lens. But a telephoto can be used to create intimate compositions from coastal scenes, specially if you have rocks. Try different focal lengths to search for a composition you haven't considered, use a long exposure if needed to create an abstraction and you'll have a new photo. Thatcher's Twin Lighthouses  5. Get Close -   Because wide-angle lenses take in a bigger angle-of-view than other lenses, using a wide-angle lens at the same distance from your subject will render that subject smaller than it would otherwise. To compensate for this, you'll have to move closer to your subject. Don't be bashful about getting close, particularly with super-wides. Sepia Archway

Let's Connect!

Over the last couple of months I’ve made some exciting changes with my online presence. With the help of the Web professionals at Webs of Wonder, I have revamped my Web site, blog, and newsletter and also started a Facebook fan page. I’ve realized that if I want the world – or at least potential customers, business partners like art galleries and interior designers, fellow photographers and the public -- to know about my work than I need to advertise my accomplishments. In today’s environment, that means utilizing every effective means of electronic communications like a well-optimized Web site and social media vehicles such as blogs, Facebook and Twitter.

As part of my blogging schedule, I hope to reach professionals, including photographers, gallery owners and designers. We all have mutual interests and can support each other. Here are a few tips I have learned and which I will be sharing with you in several blog posts:

Let’s Exchange Links

Professionals page of my Web site

I have a Professionals section on my Web site, which I am using to list the Web sites of some of my favorite photographers, galleries, art associations, professional art organizations and other like-minded individuals and groups. If your site is not listed and is appropriate for this niche, I would be happy to exchange Web site addresses with you. I’ll link to your site and I would be very grateful if you would link to mine. By doing this, search engines like Google think your site (and mine) must be important if another site went to the trouble of linking to it. So this helps with search engine ranking and visibility. It’s like a popularity contest but with lots more depth.

As artists and photographers, we are focused on the creative process rather than promoting our work. We spend years studying, improving our techniques and developing a portfolio. But then we wonder why no one is buying our art. Is it any wonder that the term “starving artist” applies to so many in my profession? So let’s take advantage of the ways we can all help promote each other. Email me if you have any questions or want to exchange links. 

Speaking of Building Links and Roots with Your Brand
Thought you would enjoy a photograph of the largest banyan tree in the US, which is on Maui in Lahaina. With its vast intertwined roots, it shades almost an acre.

January 2011, Maui